Bunt
In The Round Tour
2024
BUNT.’s In the Round concert design flips the traditional DJ show on its head. Instead of a raised booth at the far end of the venue, the duo takes command from a central island stage, surrounded completely by fans. This 360° setup removes the concept of “front row” and turns the entire crowd into the heart of the performance. Every drop, build, and melodic hook radiates outward, creating a pulse that moves through the room like a living wave.
Lighting designer Tony Caporale of Infinitus Vox builds on BUNT.’s euphoric, melodic house sound by crafting a “perimeter of light”—20 Color STRIKE M strobe-wash fixtures encircle the floor, firing off bursts of color and rhythm that sync perfectly to the beats. In the corners, COLORado PXL Bar 8 battens tilt and sweep overhead, filling the air with vibrant beams and tinting CO₂ blasts to match the emotional arc of the set. Every angle gets the same high-impact view, and the lighting adapts to each venue to maintain a consistent, cinematic feel. The result is a show that feels less like a performance you watch and more like a party you’re part of.
"BUNT shows don't follow your typical format, where fans are barricaded off from the stage. There are no boundaries. Bunt’s DJ booth is smack dab in the middle of the venue floor with the audience surrounding him. He wants to share the experience with the fans up close and personal."
Team
How we got there
Every fan wants to get closer to the artist on stage. Every true artist wants to reach out and connect more intimately with fans. This show is a 360 in the round show with an audience surrounding the artist. No barriers just vibes with the fans.
Two key objectives to completing the design was to create a perimeter on the outskirts of each venue to engulf the crowd in light. Next we had to create an epicenter of light for Bunts dj table so with high powered strobes under the dj table along with led battens lining the shape of the table to make it feel like an energy source.
With lighting keeping the key aestheic of the design intact, creating aerial effects with lasers, CO2 blasts, and confetti were deployed in the show. The CO2 was paricularly interesting because the blast direction for this tour came horizontally shooting across the room engulfing the venue, especially for the big drops musically.
Using varied gobo patterns wrapping the venue was another diiffernt process when it come to very beat driven lightings. Having the ability to add texture allowed for a nice escape at times.
Tony collaborated with Bunt. and his team to curate different configuations to expand and compress the “In The Round” design to keep the entire venue engaged with the production. Pulling off such a seamless 360-design over an extended tour required close teamwork with Nick Groff and Michelle Ronson of “Rare Society” Management; Andrew Plavnik, the Tour/Production Manager; Louis Kortmann, the Creative Director/Videographer; Destin Klug and Kirby Naylor (Lighting Directors in US and Canada, as well as Will Flavin- Lighting Programmer and Nic Cascino of Creative Management.
